
http://rapidshare.com/files/3165423/N.I.Pro.53.v3.02.004.rar.html
Shuangs WAV to MP3 Converter is a simple tool that enables you to
convert WAV files to MP3, WMA or OGG format. You can select bitrate
settings and convert multiple files at once.
Free WMA to MP3 Converter can convert Windows Media files to MP3 files
which can be played in MP3 Players. All Windows Media formats (*.wma,
*.wmv, *.asf) are supported. The program is a freeware and does not
contain any form of malware, including but not limited to: spyware,
viruses, trojans and backdoors.
MIDI Support includes the ability to
import and export Format 1 MIDI files, input notes in step time using
your MIDI keyboard, and playback via any external MIDI device.
Setup Wizard lets you select the instruments or voices you need, then sets up your score automatically.
Hear it like you see it! Your
music deserves to be heard with all the feeling, phrasing, and nuance
you felt when you wrote it. The Human Playback feature will play your
music as you would want it to be performed, even if you enter notes
manually.
The Sonalksis FreeG is an intuitive tool that can be used for a
variety of applications to increase the control and flexibility of the
signal flow in the insert chain of the host.
To make the workflow and the overview of the signal processing
easier, FreeG provides extended, customizable metering features and
settings.
When working with digital audio, lack of fine metering and extended
signal flow control in the host is a common issue. The intentions with
FreeG is to improve the workflow in the host by providing these
features in the insert chain.
By providing the possibilites of extended control of amplitude,
phase and pan (stereo version) in the insert chain as well as fine
metering, with user configurable industry standard parameter options,
the range of applications for FreeG is almost only limited to the
context of the actual usage and of course, the insert chain.
NoteEdit is a free music score editor for Linux. It supports an
unlimited number and length of staffs, polyphony, a MIDI playback of
written notes, chord markings, lyrics, a number of import and export
filters to many formats like MIDI, MusicXML, ABC Music, MUP, PMX,
MusiXTeX and LilyPond and more.
Features
* Insertion/deletion/modification of notes, rests (and multirests),
ties/slurs, stem/beam control, instrument changes, repeats,
clef/time/key/volume/tempo and all other classical music notation
signatures.
* Chords markings (based on KGuitar project)
* Dynamic expression markings ((de)crescendo, octaviation, arpeggio, fermata, trills, grace notes etc.).
* Fixed expression markings (staccato, sforzato, portato, strong pizzicato, sforzando etc.).
* Multiple voices per staff (polyphony).
* Drum notes (including drum and bass drum clef).
* Flexible UI based on Qt/KDE. Supports zoom, multiple windows, many keyboard shortcuts, Konqueror embedding and other candies.
* Playback and other MIDI operations (reading and recording from MIDI
keyboard) are done using TSE3 library. Each staff can have its own
channel, own intsrument and own MIDI settings (reverbation, chorus).
Currently played element is highlighted!
* Support for lyrics.
* Basic score layout operations (setting brackets, braces, score title, composer, copyright etc.).
* Many useful tools like automatic placment of bars, automatic
placement of beams, transposition, copying&pasting of elements,
optimization and resetting of accidentals, MIDI importing (or recording
from MIDI keyboard) filters etc.
* Exports MIDI (using TSE3 library), MusicXML, ABC Music, PMX, MusiXTeX and LilyPond.
* Imports MIDI and MusicXML.
* The NoteEdit fileformat is similar to the format of the music
publication program (MUP). It’s a plaintext format, with a simple
syntax for describing the music, so computer geeks can edit it by hand
if they want to:).
* NoteEdit is translated into the following languages: German, Spanish,
French, Hungarian, Italian, Russian, Slovak, Slovene and Swedish. It
supports UTF-8 encodings for lyrics, score title, composer, copyright
and other document strings.
NOTE: WHILE REAPER CAN BE EVALUATED WITH FULL
FEATURES AND NO EXPIRATION, YOU ARE OBLIGED TO PURCHASE A COPY. THE
OLDER VERSIONS APPEAR TO BE AVAILABLE FOR FREE.
Editing features
Review from Hamish:
I have been using reaper for a few months, payed $60 australian dollars for my ‘non commercial’ licence.
n my humble opinion it is the best VSTi and VST FX host around. I have
used herman seibs VST host, and still like it as a patch
editor/librarian.
The audio routing is phenomenal coming as I did from various versions
of logic, much more flexible. REAPER also gives you complete control of
the rendering process which I don’t believe any other application does.
On the helpful forum there have often been criticisms of the midi
editing capabilities, and Feature Requests for various things found in
cubase, logic or sonar. Coming from logic was a shock as I made heavy
use of all the logic editors, and now had only piano roll or event
edit. The major midi playing card that REAPER gives you is VST and JS
midi FX, this is gives you the power to make limitless non-destructive
editing in real time, which is very much the philosophy of REAPER.
I have been using REAPER for more than 8 builds now, and I will stay as long as the program remains healthy.
Free Amp 2 is a multi guitar amp-sim, with built-in Guitar synth.
Features:
‘Electri-Q’ - posihfopit edition’ is a simple, intuitive, but
powerful minimum phase EQ, which makes it very easy to adjust the
magnitude of any audio material. Due to its flexibility, it can be used
on every track or even as a mastering equalizer.
The plugin offers
two different algorithms. The algorithm ‘Analog’ was modelled on a
transistor based circuit of a real analog EQ. On the other hand
‘Digital’ is a pure and neutral digital EQ without any coloration.
‘Electri-Q - posihfopit edition’ has up to 64 bands and offers several
filter types.
Features:
Retro Delay is a flexible allround delay effect in VST format.
It has the character and sound of a vintage delay unit but features many modern options.
Besides delays, it can produce a wide range of modulation, chorus, flanger and phaser effects.
Features:
# Independent left and right channel delay lines
# BPM synced or manual times (up to 6 seconds)
# Forwards or backwards delays
# X-feedback
# Ping-pong delays
# ‘1 feedback pass’, there will always be 1 feedback
# Optional negative feedback for phaser/flanger effects
# Optional short delay times for phaser/flanger effects
# Integrated automatic limiter
# 2 BPM synced LFO’s 1 modulates filter cutoff, the other the delay time (only available for forwards delay)
# 4 LFO modes, sine, triangle, ramp, envelope follower
# LFO, left/right channel inverse options
# 24dB/oct resonant filter placed in the feedback path
# Switchable lowpass, bandpass, highpass, lowshelf and highshelf mode.
# Saturation
# Saturate and limit parameters
# 2 different types
# Old-school spring reverb
# Size, color and mix parameters
# Optional mono mode
# Fade out option, when using high feedback setings
# Fade out time parameter
# Pitchbend wheel, for smooth delay time changes
Guitar Suite is a collection of vst plugin with amplifiers and
analog processors for guitarists, containing the simulation of:
- Boss DS-1 (Distortion stompbox)
- Boss SD-1 (Super Overdrive stompbox)
- Tube Screamer (Overdrive stompbox)
- Oberheim PS-1 (Phaser stompbox)
- Univox Univibe (Modulations stompbox)
- Fender Twin 1969 (Guitar amplifier)
- Marshall JCM900 Dual Reverb (Guitar amplifier)
Overtone GEQ is 7-band harmonic (overtone) graphic equalizer with
multi-channel support (supporting up to 8 input/output channels, host
setup-dependent). Overtone GEQ offers extensive internal channel
routing capabilities, and supports mid/side channel processing.
Beside equalizing, Overtone GEQ applies harmonic enhancement
processing: it uses 7 harmonic enhancement modules, one for each EQ
band. This generates a complex harmonic coloration you will probably
like a lot.
Overtone GEQ was designed to allow audio engineers to apply quick EQ
shape adjustments together with adding a bit of harmonic richness to
the audio material (mainly mixes and sub-mixes due to a comparably high
processing load this EQ puts on a CPU).
Features
A fairly standard waveshaping distortion plugin, made more
interesting through the use of feedback to control the shaping. Can get
pretty loud and obnoxious.
This plugin is a model of a famous vintage fuzz pedal. There are four controls:
Fuzz knob: This controls, as you might imagine, exactly how much fuzz is applied to the signal.
Tone knob: This controls the brightness of the distorted signal.
Output knob: This is the output volume of the device, when it is active.
Bypass button: This
works just like the switch on a stomp box. When the orange light is
lit, you’re money. When it’s not, the input is passed directly to the
output. This can be automated for a slightly different vibe than
automating the effect bypass of your host.
FuzzPlus2.2 is available as a VST effect for Windows, and an AU or
VST for OSX. The OSX versions are Universal Binaries, and require OSX
10.3.9 or later for PPC Macs or 10.4.4u or later for Intel Macs.
Charsiesis is a chorus
/ general wackiness effect - the concept is that several delayed copies
of the signal are summed together, with each delay length changing at a
random rate that is regenerated periodically.
Features:
NOTE: Ambience is donationware
: this means that you are kindly asked to send some money to the author
if you like it or make any profit using it.
Ambience is a high-quality reverb plug-in with some unusual fonctions, like a gater.
Classic Compressor is a classic analog style VST Compressor Plugin
with a lot of warmth and punch. Special designed to use on individual
Instruments and Vocal, but also useable on your final mixes.
![]() | Smooth Compression | |
![]() | Ajustable ratio up to limiting | |
![]() | Ajustable attack and release times | |
![]() | Ajustable knee (hard to soft) | |
![]() | Gain reduction LED | |
![]() | Presets | |
![]() | Ultra low CPU usage | |
![]() | Supports all sampling rates | |
![]() | Full VST automation |
The Classic Phaser emulates analog phasers from the 70’s and 80’s.
These vintage phasers got their characteristic sound from the analog
phase shifting filters used, unlike the delay lines used in most modern
digital phasers. To get a deeper and fatter phasing effect, more filter
stages were cascaded. The Classic Phaser works just like an analog
phaser, and with selectable filter stages from 4 to 12, it can resemble
anything from phaser pedals to expensive studio phasers from that time
period.
![]() | | Analog modelled phaser effects |
![]() | | 4 to 12 filter stages |
![]() | | Stereo spread |
![]() | | Host Synchronization |
![]() | | Presets |
![]() | | Ultra low CPU usage |
![]() | | Supports sampling rates from 44.1kHz and up |
![]() | | Full VST automation |